Pulitzer Prize pioneer: How Kendrick Lamar championed hip-hop -

Kendrick Lamar’s reputation precedes him, but how much do you know about the artist and his work? His deep moral complexity and sharp political wit deserve a closer look, particularly after his winning of the Pulitzer Prize.

Check out this gallery to learn more about him and his most brilliant lyrical moments.

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The Pulitzer Prize - The Pulitzer Prize has a reputation of being stuffy, taking 54 years to recognize anything outside of the European classical tradition (and it was jazz music).

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The first rap artist to ever win - Lamar's win was an enormous victory for a genre that wasn't ever recognized by the institution as a legitimate art form.

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Lamar didn't even need the award - His album 'Damn.' was America's top-selling hip-hop album of 2017, and Lamar had already earned more awards than he could count. But the Pulitzer award signals something much more important.

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A new age for hip-hop artists - Hip-hop had already taken center stage in the realm of popular music, but the prize signifies Lamar's hugely influential and technically brilliant role as an artist.

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He's regarded as the greatest rapper alive - Lamar's music has changed the rap game, particularly in his fearless movement towards pressing subject matter, like the state of black lives in America.

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Dive into his work - The Pulitzer Prize called his album "a virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African-American life." Figure out what exactly that means by diving into his lyrics.

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But first, some backstory - Like many rappers, Lamar was raised in Compton, California among gang violence and poverty. But unlike many rappers, he's turned his past into a responsibility to the future.

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He came from so much less than he has now - On '​m.A.A.d city' he reveals that he saw someone get shot at a burger stand. In 'Money Trees' he reveals he saw his uncle murdered at a Louis Burger, and in 'Swimming Pools' he adds that he grew up around a lot of substance abuse.

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One of his best traits is his brutal honesty - In 'DNA' off his album 'Damn.' he raps, "I know murder, conviction / Burners, boosters, burglars, ballers, dead, redemption / Scholars, fathers dead with kids / And I wish I was fed forgiveness."

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His song 'Alright' became an anthem - From his 2015 album 'To Pimp a Butterfly,' Lamar chants, "Do you hear me, do you feel me, we gon' be alright," sending a message of hope and solidarity that the Black Lives Matter movement embraced.

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On the stereotypes of rappers - 'Wesley's Theory' on 'To Pimp a Butterfly' uses artful satire to imagine if the stereotypes of hip-hop were unleashed on the country: "I'ma put the Compton swap meet by the White House / Republican run up, get socked out [...] Uneducated, but I got a million-dollar check like that."

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On the false promise of reparation - Lamar references the failed promise made after slavery was abolished, in which freed black men were to be given forty acres and a mule, when he raps, "I need forty acres and a mule / Not a forty ounce and a pit bull," on his track 'For Free.'

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He doesn't use ghostwriters - Lamar can be called the best rapper because he writes everything he raps, and he works hard to bring out new ideas, as compared to the rappers who repeat the prison narrative. In 'King Kunta,' he calls them out and says "Most of y'all share bars, like you got the bottom bunk in a two man cell."

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He criticized luxury raps - Rappers who talk about cars, money, mansions, and general materialism overshadow real issues and set unrealistic ideals for listeners, and Lamar asks on his song 'Institutionalized,' "F**k am I s'posed to do when / I'm lookin' at walkin' licks? / The constant big money talk 'bout the mansion and foreign whips."

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On the over-romanticized "golden age" of hip-hop - On 'Hood Politics' he raps, "Critics want to mention that they miss when hip hop was rappin' / M**********r if you did, then Killer Mike'd be platinum," arguing that rap had to, and did, evolve for the better.

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On the importance of giving back - In his song 'How Much a Dollar Cost,' Lamar tells a tale of meeting a homeless man and refusing to give him a dollar, only to find out that the man is God in disguise, who tells him a dollar costs "The price of having a spot in Heaven," all of which is to criticize greed.

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On the hypocrisy of death in the black community - On 'The Blacker the Berry,' he controversially asks, "So why did I weep when Trayvon Martin was in the street / When gang banging make me kill a n***a blacker than me?" alluding to society's disproportionate attention to police brutality when black-on-black violence still rages.

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On rap's use of the n-word - He describes on the song 'i' what the word means to him by referencing the Ethiopian word "Negus" which describes, "black emperor, king, ruler [...] The history books overlook the word and hide it / America tried to make it to a house divided / The homies don't recognize we been using it wrong."

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He advocates for respect above all - On 'Mortal Man' Lamar says, "A war that was based on apartheid and discrimination / Made me wanna go back to the city and tell the homies what I learned / The word was respect [...] If I respect you, we unify and stop the enemy from killing us."

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On politics - Lamar asks the hard questions on 'XXX' when he raps, "Donald Trump's in office, we lost Barack / And promised to never doubt him again / But is America honest or do we bask in sin?"

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On racism and stereotypes of black people - 'The Blacker the Berry' confronts listeners with every racial slur and stereotype about black people, from anatomy and hair to watermelon and chicken, and Lamar says, "This plot is bigger than me, it's generational hatred / It's genocism, it's grimy, little justification."

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On Geraldo Rivera's disdain for hip-hop - The Fox News reporter is sampled on the song 'DNA' saying that "hip-hop has done more damage to young African-Americans than racism in recent years," but Lamar has proved that wrong.

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'YAH' - On the same album, in the song 'YAH', Lamar says, "Somebody tell Geraldo this n***a got some ambition," and, if nothing else, the album's Pulitzer Prize sends a clear rebuttal to Rivera.

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On his ambitions - On 'PRIDE' he raps, "See, in a perfect world, I'll choose faith over riches / I'll choose work over b*****s, I'll make schools out of prison / I'll take all the religions and put 'em all in one service / Just to tell 'em we ain't s**t, but He's been perfect."

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About his beginnings - Along with greed, systemic racism, social justice, and politics, Lamar has also rapped about his own birth. "I was born in '87 / my granddaddy a legend," from 'Nosetalgia.'

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"My mama told me that..." - "My mama told me that I was different the moment I was invented / Estranged baby, no I'm not ashamed," from 'untitled 06.'

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Born with it - "I didn't develop, I was born with this talent / Brain swell up," from 'Track 10.'

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'You Don't Like' - "And I swear this s**t feel like my birthday / Hub City my birthplace," from 'You Don't Like.'

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The future - The public anxiously awaits what Lamar will come out with next.

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